Apple Crisp

applesApple Crisp
Start with apples.
The best thing is to pluck them
heavy handful by heavy handful,
from laden trees
on a sunny day
as the bees suck the sweet
from the windfalls at your feet

Otherwise, handpick them at the market –
the farmer’s market,
not the hypermarket.

The apples need to be relaxed, cheerful, tart,
dark red outside and
greeny-white inside
Rather than waxed, mealy and underripe.
Hypermarket apples do not bake well.
They have forgotten the feel of warm air and warm sun
They have been too cold too long
Too cold to let their juices run
in a hot oven mingling with cinnamon
and sugar and melting butter.

Fresh-picked apples and sunshine
Oats and brown sugar,

Night & Day


It was only a matter of hours.

The sunflower who had stood so tall, a full head taller than me, regal and commanding, had turned her gaze towards the earth instead of the stars.

I’d come back to take a daytime image of her.

I expected her to be smiling at the sun, chin held high as it had been the night before. But there she was smiling down at me, bowed, chin tucked.

Nothing stays the same. She was beautiful as ever.



I met her in the showers, at the University Recreation Center on the Friday night of welcome week. She was me. But at first, I thought she was someone else, just a random stranger.

Soaking wet, she popped out from one of the two dozen curtained shower stalls. Her skin was pale, her cheeks pink, blooming with life. Wrapped up in a crimson towel, long dark hair dripping, she looked as if I’d startled her, rather than the other way around.

“Excuse me,” she said, over-loud, nearly a shout. I stopped. A flicker of embarrassment crossed her face. She went on, more quietly, “Um, do you know what kind of soap is in those dispensers?” She waved a hand back toward the shower she’d just exited. She was trying to sound nonchalant, but she looked lost.

“Crappy hand soap,” I said. “Need to borrow some shampoo?” I held out my shampoo, and my conditioner for good measure, and she took me up on it.

The locker room at the Rec center is huge, built to accommodate seventy-five women. It was just her—and me. After showering, it turned out we’d chosen lockers in the same row.

Silence hung between us as we clicked open our combination locks.

“You’re a freshman?” I asked.

She didn’t seem to hear. But of course she was a freshman. Alone on the first Friday night on a big campus, anxious—maybe her roommates ditched her? Maybe it was too lonely to sit in the dorm, maybe a swim would help? I felt sure she had only asked me about the soap to ground herself, to feel a little less weird, less alone.

I toweled dry, hooked my bra, slipped on underwear. Her back to me, she squirmed into a pair of compression shorts, the sort runners wear.

“So—what’s your major?”

She looked around, as if to be sure I was talking to her. She pulled her t-shirt on and turned. “It’s called Graphic Communication Design,” she answered, saying the words very carefully, as if they were foreign and she wasn’t quite sure of her pronunciation. “It’s like, you know, advertising, and book design, and stuff.”

I laughed out loud. Her dark brows knotted. I felt her anxiety rise, palpable.

“I’m sorry,” I said. “But I know exactly what that is, I majored in the same thing here, a thousand years ago.”

She relaxed and met my gaze straight on. “You know,” she said, “I really wanted to study fine arts.” She said it as if confiding a terrible secret, as if it were a little shameful. For a split second, I saw her longing, her passion, for something she didn’t think she deserved.

And that’s when it hit me.

She was me. The me of thirty-some years ago.

I think it’s called projection. Of course, she wasn’t me. But I was reeling back in time, just the same.

She was there to show me how tender and unsure I’d been at her age. How full of promise, buried under suffocating layers of self-doubt.

I recognized her, because I’d seen her expression in my own mirror. And I remembered how cruel I’d been to that girl in the mirror—meaner than I’d ever be to any other human—and the impossible standards I held her to.

Fully dressed, the girl next to me combed her wet hair into a sleek knot.

Just the way I’d combed my hair, at sixteen, the day I’d gone out with a much-older man, feeling cool and empowered behind my own thin mask. How he didn’t take me to a restaurant, as promised, but instead took me to his home. How I didn’t fight him, and how I’d never forgiven myself for my submission, even though his icy eyes had promised worse things if I didn’t pretend to want what he was going to take from me, one way or another.

“There’s nobody home next door,” he’d said with a dead-eyed smile.

The girl slammed her locker shut, bringing me back to the present.

“Goodbye,” she said, picking up her backpack.

“See you.”

I wanted suddenly to run after her, to tell her everything she needed to know about the coming years, how there would be so much joy and so much pain and how nothing, absolutely nothing, would really quite work inside her soul until she could look back and see just how young she was in this moment, and how whatever she would mess up—or think she messed up—she was doing a good job, considering. She needed to know that.

But I didn’t run after her. That would be crazy. Some things you have to figure out for yourself, even if it takes thirty-odd years to do it.

feeling trapped

A wall, Eastern State Penitentiary.
A wall, Eastern State Penitentiary.

I’m doing a forty-day series of writing prompts to jump-start a novel that I’d let go of working on.

I write each prompt in the voice of the character of my story. A lot of it won’t be in the story, but it is a lot of fun and I’m getting to know my character much better.

Here’s today’s: Imagine a time you felt trapped or were trapped, literally. What happened? (Prompt inspired by a visit to Eastern State Penitentiary​, in Philadelphia, a prison where solitary confinement was pioneered as a punishment.)

My shadow lives on vine-covered walls.


My shadow lives on vine-covered walls.

It stretches before me on the sidewalks I travel, everywhere I go.

It’s much like every other shadow, I think: at once ordinary, commonplace, beneath notice—and also completely unique to me and the slant of each passing hour’s sunlight.

My shadow disappears at night, except when the moon shines.
There are artificial shadows, weirdly colored, cast by streetlamps and shop lights. False shadows.

At night, my real shadow sometimes curls up in a bottle of cabernet sauvignon that I might, unsuspecting, uncork and drink.

I sip my shadow in with the earthy dark red wine and sometimes— when the moon is in a certain phase, when certain molecules of my brain are swelling like an answering tide—my swallowed shadow slips free like a ghost and wanders the winding path of my bloodstream, staining my thoughts like a fat drop of wine splattered on a sweater, a drop that spreads out and changes the color of everything.

No and You Cannot


No and You Cannot

Rinsing a dish, I think:
When I grow up, I want to be a poem!
flaring, burning, writhing, flaming, feel my body
shrivel to ash, feel my soul
drift heavenward…

“Ri-dic-u-lous!” the twins chorus
No and You Cannot, that pair
who live in my head, have lived there
my whole life, givers of doubt
little shivers, always with me

They’ve strung hammocks, hung lanterns
sometimes, they sleep
their relentless snoring
rising, falling, sawing—a backdrop like the cicadas
outside in the mulberry tree

I sort knives, forks, spoons, bowls
Snug in my brain, the twins curl, lulled by my clatter
I scrub at some eggy crust and quietly think:
Sweet pumice stone,
Meet beating heart

Grind it down, down
grind it down,  smooth it away…
You Cannot kicks me. No (so dramatic!) screams in her sleep.
My dogged heart keeps on
enduring, enduring, enduring

Can you hear it? Like the cicadas
like the deep breaths of my hopes and my dreams
rising, falling, enduring
enduring, enduring. I’m fifty-two.
And I’ve decided: when I grow up, I want to be a poem.