I'm a writer, artist and designer who thinks way too much, and tries to see the beauty in the world.
Power Outage, August 20, 2019
I like the sound of the cars, passing lonely on the rainy afternoon street, the way the sound of the rain rises up like a wave crashing, then falls softly to patter. I like the way the Catalpa dances, tossing her branches like girls toss long hair.
I wait for the power to surge back, for the refrigerator to chime in with the cicadas and crickets cued up by a pause in the rain, I wait for work to resume and life to go back online.
Far away, an alarm siren is hyperventilating, wailing up and down, hiccupping distress. Birds sing and then go silent as the rain begins and thunder rumbles again; chirping and trilling rise up as the sky dries.
The lights flicker on, and with them, low drone of machines waking and then gasping dark and dumb as the power drops out again. Nature rushes to fill the vacuum of quiet, thunder’s rolling again—or is it a dump truck, rumbling up Hamilton?
I like the feeling I have of being all alone, floating in a bubble of sounds that stream around me, under me, over me, as if I am bobbing in a warm river of thrum and strum, rattle and hum.
Across the street, Mary’s raspy voice floats, softened by the weather, “Hey,” she asks her next-door neighbor, “Hey, is your power off, too?” She sings the syllables. Fading rain pats the roof, gently, gently. The catalpa sways slowly now, back and forth, back and forth, steady, steady, like I swayed when I held my babies long ago.
I close my eyes, remembering the feeling of baby skin against my chest. Suddenly Mama’s right next to me, as if the storm has swept her into the house like a wind-sucked sparrow. Eyes closed, window open. Breeze tickling. We listen to the clouds lifting, to the birds calling. We take turns guessing Goldfinch or Cardinal, Robin or Wren, some silly game we began in 1992 and take up this August afternoon as if nothing’s changed, as if no time has passed, and nothing is ever lost.
This was the result of a two-part prompt. In a nutshell, part one is listening, eyes closed, for 6 minutes. Just breathing and listening, noticing whatever sounds are present. Part two was reading the poem “Aware” by Denise Levertov, then beginning a ten-minute fastwrite starting with “I liked the sound”. (one of the phrases from the poem). Any poem that focuses on sound or listening would work for this two-part prompt. Try it and see what happens.
(Following is an excerpt from my novel, The Last Butterfly, that I’m workshopping this week at Colgate University in New York…feeling excited to reconnect with these characters…finally going to finish my edits/plot-hole fixes! It’s told in the voice of Luna, a 15 year old who lives in the deadzone of what was once central Indiana, in the year 2196.)
May 16, 2196
I thought he was a bad man, come to kill me in my sleep. Or rape me. I opened my mouth to scream, and a hard hand clamped my mouth shut. It was a man, a tall man looming over me in the darkness.
Then I saw it was Reece, whispering to be quiet. He’d climbed in my window, silently, like a cat.
I was dreaming. I thought I was dreaming.
Until he said my name, said to come with him, hurry.
“There’s not much time, Luna, hurry. Shh. Don’t wake Augusta.”
“Where’s your Papa?” he hissed, then shook his head when I began to answer. “Never mind. See if your Mama is sleeping,” he whispered. “Don’t wake her.”
I peeked through the doorway in the adjoining room. Mama slept with Stella curled on one side and Thor on the other.
We crept silently past Mama, through the dome, and out into the yard. A thousand stars lit the clear night. I looked up at Reece. He looked stronger, taller, thinner. His hair was loose, and past his shoulders now.
I threw my arms around him, felt myself dissolving in tears of joy at seeing him again. He wrapped his arms around me, hugged me tight to his hard bony chest. He smelled of sweat and dirt and fire. “I don’t have much time,” he said. He took hold of my upper arms and pushed me gently away.
“Luna, I have to go, I can’t stay. I came to warn you. I was going to tell Daniel, or Chan—where is everyone?” I started to tell him everything, how Bart and Crimson and David left, about the bone, about Chan and Nikki and Lev and Antonia leaving the colony.
He cut me off. “Where’s your Papa?”
“How did you know he’s gone?”
“It doesn’t matter—I looked through the windows, all of them. Is my father the only man here?”
“He’s supposed to be on watch,” I said.
“Well, he’s watching with his eyes closed,” Reece said, he smiled a little, a flash of his old joking self.
“Don’t you want to see him? And Grammie? Why are we whispering?”
His dark eyes met mine. “There’s no time, I have to go or I’ll be missed. “ He looked old, suddenly, and hard. Dangerous. “I don’t want anyone tracking me here. Soldiers have no hearts, Luna, even in the Freedom League. They’d kill your chickens and take the goats, take all your food, and probably do – horrible things…” He took a deep breath, and then kissed the top of my head. “People do horrible things, Luna,” he whispered.
He thrust me away again. His voice was edged with panic. “Just listen, okay? No more talking. You have to tell everyone what I’m telling you, and you have to get it right.”
And then he told me how South Bend was in Junt’s control, how the Junt army had slaughtered everyone, and taken control of the IonoWave.
“But– Chan! Nikki! Lev—they’re going there! To work, to earn freehold –“
“There’s no time, Luna. I have to go! You need to leave here, right away. Leave and head south. Indianapolis is still safe, and fortified. There are Junt guerillas heading south. They’ll do more than kill your chickens, do you understand?” He shook my shoulders. “If they find you, they’ll kill you all. You can’t be here! Do you understand?”
“I have to go. I have to get back before I’m missed.”
“But…” I began, dazed. “Don’t, please, don’t go!”
“Take this.” He pulled a big, sheathed knife from his pocket. “Tie this onto you. If someone tries to take you, stab him in the eye, or in the balls. Then run, hear me? Run!”
“Reece, you’re scaring me. Stay with us! Come with us!”
He shook his head. His long dark hair shone in the starlight. “You don’t understand. I’ve pledged my service. We have to try to stop them, Luna. I have to go. Please. Wake everyone when I’ve gone. And then go! Go south.” His words spilled out in a rush. “Don’t let my father come after me. Tell him I love him. Tell Grammie…” his deep voice caught. He pulled me into his arms for just a moment. One of those long moments, where time stretches out. I felt his heart beating hard in his chest.
“I love you, Luna,” he whispered. I looked up at him, wordless. He kissed me hard, on the mouth. I tasted salt. I gripped onto his arm. He wrenched himself away, pulling free from my grasp. I dropped the knife.
He bent and picked it up. His face was wet with tears. “Don’t let this go,” he said, handing the knife to me again. “Wait five minutes. Then wake everyone, and go!”
“But Papa’s in Greenfield,” I said.
“If he’s not back when you’ve packed, go without him,” Reece said. “Just go.”
He left me then, alone under the black sweep of the sky, the amaranth dancing in the soft breeze, the goats and chickens stirring softly, the crickets chirping.
If I hadn’t had the knife to prove he’d come, no one would have believed it.
Last night I woke in the teeth of the storm, shaking in a strange bed in a strange place. This time, it wasn’t a dream.
I woke to thunder so loud I could feel it course through me, over and over, the way a bass beat at a rock concert vibrates in your spine. Thunder so intense it rattled the old wooden double-hung window of the century-old shotgun house on Maurepas where I slept on Mother’s day eve, my youngest nearby, both of us startling awake and sliding into dreams again and again, as the storm rolled overhead.
The drifting and waking reminded me of the way I slept between contractions during labor, slept and woke, slept and woke, a nether world of sleep and memory.
Sliding between storm and sleep, the picnic of the evening before replayed. On blankets spread on the banks of Bayou St. John we shared crusty bread, sharp cheese, black bean hummus, sweet strawberries and veggie stir-fry with gingery tofu. Wine and laughter. My dear ones and their dear ones, all of us sprawling together as the cloudy daylight slid into darkness, the bayou reflecting the lights of the big houses on the far shore.
There were seven of us, six twenty-somethings and one fifty-something: me, mother to two of the group, mother-aged for all. I felt a bit like Mnemosyne, mother of the muses, listening to the younger ones discussing their dreams and how they are bringing them to life. I marveled at their gifts, admiring their drive and determination without any maternal pride, because it’s become clear to me that I have very little to do with how even my own adult children turned out, apart from nurturing them and then getting out of the way as much as I could while they explored their gifts.
Mnemosyne—mother of the muses and keeper of memory.
Sitting in a circle with these beautiful young ones, I imagined how Mnemosyne’s heart must have swelled with joy, seeing the brilliance of the offspring she helped bring into being, one for every wild night she spent with Zeus, collisions of passions like storms in the night, wild creation birthing wildly creative beings.
Back to the storm of last night. This was not a normal Midwestern sort of storm, where the gods battle high in the heavens. This storm blew in at sea level, and I was inside this storm as if at sea, the little shotgun house a boat in the waves, the rain sounding like cresting waves crashing on the tin roof, hail pounding, windows rattling.
And in the morning, writing this—all magically calm again. Birds singing (where do they go, I wonder, in that kind of storm?)
On the shotgun porch as I write, it hits me how scared I’ve felt lately about the state of the world, about the global storms blowing the world off-course. This Mother’s day morning, I am hopeful again. The muses are at work, with their creative vision, their bravery and resilience.
It makes me want to forget the idea I sometimes have of being too old to join in. Because we can’t shirk it all off on the younger generation. That was what happened to my own generation, after all. All hope was thrust onto us to save the environment. Hippies turned to stock brokers as the impossibility of one generation creating change alone drained all energy. And here we are, sliding backwards. But from the bottom, maybe we can surface to a new world? If we all wake and work?
Even the old birds are singing hopeful songs this morning.
Even the worst storms eventually clear to a morning like this one, with sunshine and possibility.
Note: there is a wonderful section of New Orleans where all the streets are named for the muses. Read about it here: http://kreweofmuses.org/the-muses/mythology/
Fastwrite prompt from a recent writing workshop:
Take a deep breath. Let it out slowly. Feel your shoulders relax.
Remember a time you were held, and rocked. Or a time you held someone, and rocked them. Any time you felt safe, held.
Begin there. Write for 7 minutes, focusing on the sensations, the moment.
Here’s what came up for me:
Sea-salt air hammock snugged around my sturdy body
little me in my chlorine-bleached Speedo
rope-web diamonding my solid thighs
Kennebunk sun, north sun
light as a cotton sweater on a cool morning
swaying, swaying, swaying, swaying away
Gulls overhead blue sky then pines then smoke bushes
green gaze rolling like a marble in the swing, swing
springs of the hammock singing along with my
Nonsense syllables wiggling toes and goosebumps
Queen Anne’s lacy head tickling my back
shivering me in the carrot-scented breeze
Summer waning, sliding swaying
far off a tractor growls in the Ricker’s potato fields…
at the fringe edge of the forest, a deer watches, dark eyed.
plump smell, like baby skin, blooming
so beautiful so smooth
(everyone says so)
and I think of daisies and lilies and youth,
smooth and slippery
the sweet smooth skin holding memories in,
pressed like petals between book covers
dried papery flat, crackly as a map of a lost world:
how to find our way back when
we are all falling apart,
cell by cell,
moment by moment
going, going, gone—
still springtime’s tap pours out, keeps pouring
children smooth-skinned happy laughing cranky cries rise
on the wind near the playground
little feet wiggle in strollers pushed by vacant fathers, mothers
eyes lost in thoughts, worries
little griefs trip us, cracks in the sidewalk
all we can feel sometimes is the hard fall, smooth
stripped away scraped bloody
while above the sidewalk, a canopy of tulip trees
unfurls hundreds—no thousands—of trembles
tiny flags alive in the breeze
when falling apart,
Prompt: Hold a flower. Examine the petals, smell it. Breathe in.
Now: close your eyes, and think of a time from memory or imagination, when there were flowers. Go: write for 11 minutes.
Maybe having it together has nothing to do with those benchmarks of graduation, certification, publication, validation?
Maybe having it together isn’t about someone else’s notion of
achievement. Or being better than anyone else.
Or that winning makes someone else a loser.
Or that trying and failing is somehow shameful.
That you have to be balanced all the time.
New belief: “I am on a journey, doing my best. Imperfect.”
That means when the anxious zinging starts, the uneasiness arises—I can just FEEL it and stop trying to bargain it away, hoping when I do THIS or THAT—whatever new thing I find lacking, like say, being organized—that when I achieve that thing, I will be “together” at last.
Imperfect. Not great, never was. See what is, and build from there. Stop pretending. Let what is reveal itself.
Perfection is deception. Perfection is a poison pill packaged and sold next to the botox and collagen injections. Perfection is the woman on a pedestal who cannot squish mud between her polished toenails. Some warped white-washed selfish notion of perfection, I think, lies behind the toxic, racist Make America Great Again slogan—the notion that rewriting the past will coat every ugly truth in the golden light of remembered sunsets past, and save us from ourselves. No. Recovery from perfections micro and macro requires seeing what is, ugly, messy, real.
I will treat you gently, Perfection. You are bone-china blue-white transparent, so damned fragile. I pack you up in a pine box, swaddle you in virgin cotton balls grown and picked by browner hands in hot sun, oh porcelain beauty, flowers fine painted with single-hair brushes by small hands in some far-off land, petaled curves over and over perfect, while outside the sun and rain and wind are lost, years are lost, squinting childhood away, lost.
Perfection, you voracious beautiful wicked thing. I hold you, marveling at how I carried you proudly all those years, thinking it was an honor, my duty, my job?
I’d smash you, and maybe I should? But I fear I’d want to reassemble you somehow, find a way to make you whole again—and so I would waste more time.
Because you are just what you are, shiny prize, symbol of false wholeness.
I will nestle you in this little wooden box, so like a coffin.
I will bury you outside in the moonlight before the hard frost comes, bury you under the cherry tree with all the other beliefs I have, at last, I hope, outgrown.