Posts Tagged #love

the news scares me

drawing of coffee cup and newspaper with a scared looking creature and an ominous eye in the shadows of the coffee cup

I came across this pencil drawing titled “the news scares me” that I did several years ago. (Seems it’s not a new trend, the news, being scary…) This is a reminder to anyone who’s feeling overwhelmed by the state of things not to despair, but to keep doing whatever you can do to make the world a better place, in whatever ways are within your means. Small actions, large actions—just take action. Do what you can do. Meet the world with love. And laughter. And anger. And hope.
Happy Sunday.

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love poem to the world, #16

photo of lake michigan

Never lose hope, my heart, miracles dwell in the invisible.
Rumi

 

love poem to the world, #16

The way my brain flares as I dream of you, electric
while purple finches sleep hidden in dark branches

how egg met sperm in warm depths and became you
while the soul of my mother sang in the breeze

the soft ocean roar when you press an ear to a silent conch
how sunny laughter spreads, fanning like spores on the wind

oh, see: the perfect geometry of snowflakes and crystals? what is
more beautiful than the curve of a femur or a rib or your smile?

I’m in love with the snaky way freshwater travels seaward, undulating
with the mystery of my fingers knowing before my mouth can say

and how patterns repeat: rivers and streams forking, ever narrower
like the web of arteries and veins inside my body, your body, every body

and the churning of the world, tides washing to and fro, forever
to and fro, to and fro, beating inside my heart, your heart, every heart

 

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some random notes on fear

Fear-based attachments are physically addictive,
states the psychiatrist in the book I’m reading.

(Is that why this nightmare isn’t over yet?)

Explains things:
why ugly hazing rituals cement bonds
why that friend of a friend won’t leave her abuser
(Oh, and she may also know he’ll kill her, if she tries,
but people will still blame her, won’t they?
)

And do you remember?
“love trumps fear,” said those hopeful campaign signs

I am relieved to find
I am not afraid of Donald Trump
after blustering “many sides” and “very good people”
After David Duke thanked him for his support
I would spit right in his face — I would
(though I am sometimes, often, afraid
I am not attached yet, it
seems)

I would spit on Rush and Sean and Kellyanne, too,
though I don’t hate these people,
they are very dangerous
telling us to fear each other, fear our neighbors
passing out fear like shots at a frat party

— calling things by all the wrong names
sowing more fear —

“The greater your influence,” the evangelical preacher James MacDonald said,
“the greater your complicity, if you don’t call the Charlottesville attack what it really was: a heinous act of domestic terrorism entirely rooted in racial hatred.”

There’s an old story about the Buddha.
His enemies frighten an elephant, hoping it will kill the Buddha.
The elephant charges in panic and the
Buddha holds his right hand up:
Stop, his hand tells the elephant.
Then the Buddha sees the fear in the elephant’s eyes
sees that the elephant is driven by fear
and he opens with compassion.
He cups his left hand,
making a space for love,
and the elephant stops, and bows down to him.

So I think it goes:
open with compassion
love with all you’ve got
call things by their right names (don’t lie)
and say no when others try to crush you with fear.

I’m just trying to sort it out.
Figure out how on earth to respond.
Spitting won’t help.
Seeing might. Opening might. Standing up might.

(Remember, be brave. Don’t attach, don’t attach. It whispers your darkest names…but please, please, don’t fall in love with fear.)

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jump into the well of fear

graffiti saying 'jump in do it i did' pointing to water
Prompt: Close your eyes. Breathe. 
Name a fear you have. Breathe again.
Now, write about where it lives in your body. 10 minutes, go: 

My fear is not being understood by the people I love.

This fear lives in the dungeon of my throat. It is the murky water at the bottom of a bottomless well. There is no light here, and so I have to imagine how it looks: like a midnight mirror on a starless forever after. Nothing shines back at me, there are no glimmers of recognition, no waves of love, only swells of anger, churning the black water.

There are military ships crisscrossing the water, painted with lead-based gunmetal gray, their decks studded with heavy guns and heat-seeking missiles in evil-looking launchers.

My fear holds me hostage below decks on the largest of the battleships. I’m in a metal-caged brig in the deepest hold. The light is yellow and blurry and the air tastes stale.

A row of judges sit, dark-robed, heavy browed, convicting me of the crime of being myself. The primary judge is a white-wigged woman with a sharp nose. She addresses me, in a bored tone. “How could you expect to be understood,” she asks rhetorically. “You are not understandable, not acceptable.” She looks at me as if I’m a used tissue someone has dropped. She shakes her head in disgust. “Not understandable,” she repeats.

Like the queen in Alice in Wonderland, she only wants me to lose: my head, my heart, my voice, my confidence. But most especially, my heart.

My heart lies beneath this dark sea, at the bottom of the bottomlessness of this well in the dungeon of my throat. In my panic at being alone and not understood, I’d forgotten where I was. Here, in my body. I remember suddenly to breathe in, and when I do, I turn my gaze away from the judges. I listen to my steady inhale instead of their scornful murmurs. And I hear it. My heart. It is beating, far, far below the prison ship.

Steady dear heart. The dark water glows green. I know this even with my eyes closed, even in the prison of my fears, even as the judges cough and scritchy-scratch their pens across banishment decrees.

My heart swells, filling me with hope. A rising tide lifts all boats, even heart-sinking gunmetal battleships. The fleet of war ships circling my throat dissolves like sugar candy in the warmth welling up.

I think I’m ready to go deeper.

_____

I think about fear a lot. I read about it, too. Fear can literally get stuck in your body. Fear tends to incubate rather than dissipate over time, according to Joseph Le Doux, researcher/expert on the amygdala. Naming your fears and feeling them in your body can help you move past fear.

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quasimodo and the trash girl

photo of white woman in chair. 1960s.

My mom.

It’s been twenty-five years since my mom died. Of course I always wished I had been able to compare notes on motherhood with her (she died just weeks after my firstborn came into the world). But now what strikes me is how much I’d like to be able to talk with her about roles. About how they define you and sometimes trap you, and how you must grow past them. And why that seems so hard!

I want to know how she grew past her roles of wife and daily-mom and daughter, all in a few short years. How dizzying that must have been. I wouldn’t know, because for the most part, she didn’t tell me. Always said she was “fine,” and diverted conversation back to me, and my life. And then, suddenly, she was sick. I’ve learned not to wait on having conversations with people I care about. Or at least, I’d like to say I try to do that. I don’t always succeed. It can hurt, for one thing, and what is more human than avoiding pain? Plus I still get trapped in roles.

(And where exactly does a role end and a boundary begin, anyway? Life is so tricky.)

I’m no one’s daughter, no one’s daily-mom, no one’s wife, no one’s most-beloved. I’m just: me. Of course I still play roles—writing coach, yoga teacher, design consultant—but those roles are not cemented to  relationships with specific and dear people. They are more like the roles in a play, I suppose.

A couple weeks ago, I saw a live-theater performance of the Hunchback of Notre Dame in Indianapolis, and spent the night afterwards with extended (and very dear) family. The next morning was unseasonably cool. I snuggled up on their deck and thought about the play. The day was bright with birdsong and the chatter of neighbor children. I couldn’t make out what the children were saying, exactly, but it was clear as the blue sky above that they were working out the rules of a game.

YOU will be THIS, I will be THAT.

We don our costumes early in life. Even after we grow into adults, we are, inside, run by the rules of childhood. By the labels we and others stamp on ourselves. The artistic one, the troublemaker, the bully, the little mother, the Daddy’s girl. On and on. Some of us shake them off for who we are meant to be. Others bloom into their labels, and transcend them. And I would once have denied the past ran me at all.

In the dark theater, I watched Quasimodo sing his pain and longing. Watched him be labeled at birth as monster. I think we are all “half-formed,” and destined to stay that way, unless we unearth the past and question it a little. I was the baby, the cry baby, the gullible one, the artist, the poet, the one you could trick and tease and scare easily. The one who would finally, inevitably, cry. And be told, again and again, that my tears were wrong, I was wrong, I was “too sensitive.” I learned it better not to ask for understanding; that I was making something out of nothing. I could not be trusted, and so I did not trust myself, or what I felt or even reality. It was all my artist’s imagination, my poet’s drama. Better not to cry, or, if I did cry, better not to say why. I was the unstable one, the emotional one. My mother, at her wit’s end, used to threaten, “I’m gonna give you to the trash man, if you don’t hush up.”

Now, my mother was not a monster. No, she was flesh and blood and bone and beautiful. She folded me in hugs I still feel. She was human, and struggling. I love her with all my heart. Still, she could not handle my tears, which, looking back, I think may have mainly, early on, belonged to HER, tears she could not cry lest she never stop. Mothers of four have no time to cry.

I can see her, hands on hips, pointing out the window at the trash truck, I remember her saying it—and not just once—forgetting or not caring (I think forgetting) that a little girl who still believes in Santa Claus and the Easter Bunny would never question that the trash men could take her away. I was terrified that the dark men with menacing white smiles and sooty coveralls were indeed going to lift me up like I was a clangy garbage can and roar me away in that smelly loud truck, and I’d never see my Mama again.

And so crying began to terrify me. But tears bubbled and burst out periodically. (Still do). It’s how I’m made.

Recently I had a revelation. A friend was laughing about how she thought of crying as an “emotional enema,” because she always felt so much better once all the tears came out; she felt clean and light, ready to face life again. Until the next time. Sometimes, she said, you just need a good cry. But right then it stuck me.

Crying always—with a few notable exceptions—made me feel worse. The tears bring up shame, brackish and foul, from the dark channels of early childhood. From roles I am still acting out, unconsciously?

The half-formed girl—Quasimodo girl—keeper of secrets in the attic, sleeping terrified clutching a crucifix, the voiceless one, the broken one, the trash-can girl—all my past roles lurked in the recesses of my grown self. They burrowed in deep, and curled hidden inside me for decades, only coming out at the most stressful times, sleeping and waking restlessly, pulling my strings.

On a sunny morning in Indiana, thinking about the past, memories of marriage and motherhood surged in this place of some of the best days of both those roles. Stretched out with my journal, watching the bees buzz in their hives, I felt a new me emerging, ready to really listen at last to all the hushed-up stories of trash girl’s pain, ready to watch it flame up and burn off and billow like the charcoal smoke rising up from the barbecue.

For this moment on this deck in this place, I felt at home with myself.  Home is now, I thought. That is the feeling. Of being home in your body. I learned that term from a friend who held me while the hardest pieces of my childhood surfaced, jaggy, tearing me open. Held safe, I learned I could cry and feel better, instead of worse.

Now I am learning to do that alone, as I sort and grow. I’m learning to cry and sometimes actually feel better, lighter, clearer.

Quasimodo no more, maybe?
“What is ‘whole’ in Latin,” I asked my brother-in-law, who had come out to put brisket on the barbecue.

“Plenus?” he ventured.

Plenusmodo. Full-formed. Whole.

Mom knew Latin. I wish I could call Mom now and talk. About the roles she was saddled with by her childhood, about the things she locked away. About why she hid her tears and pain and struggles. Maybe we could let go of our roles, drop our masks, and just listen to each other? That’s all anyone really wants, I think.

To be seen beyond their roles in life. To be held, and heard, and loved for who they are, at the beating heart of their being.

 

 

 

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anxiety field notes, entry 1.

image of journal with words "what you resist, persists

anxiety field notes, entry 1.

What you resist, persists
so, if you RESIST anxiety,
it will PERSIST?

What you resist, you bury.
What you bury gets stuck.
It persists!

Some things cannot be buried.
(Most things, actually.)
Seeds can, and should be.
Seeds grow.
Flowers should not be buried, if you want to watch them bloom.
If you bury flowers they die, they rot.

Bury anger deep in a trash can like a lit butt
cover anger with an placid lid, a smooth smile, it will smolder
poison the air
you will breathe it in
it will permeate every single cell in your body.
Unburied, anger dissipates, harmless as a whiff of stinky stinky cheese
but buried—it kills love.

Speaking of love:

Love cannot be buried, kept like a secret journal in a sock drawer.
at first, confined love smells like lavender, like a sachet,
but—
love has to grow in the light.
Love has to see the sky in the morning
see your smile in the night.

Speaking of your smile:

Longing, what of longing, my specialty?
What you resist, persists—
does this mean I should not resist the fear
of you, so warm, fading from my mind?
Or does it mean I should resist this fear,
so your smile persists forever in my heart?

Speaking of hearts:

resist-persist-resist-persist
some questions are best buried,
dark-eyed as apple seeds
planted deep in my heart
to grow as they will,
wild upstarts, bearing sweet fruit, in time.

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wild and green

photo of budding flowerwild and green

On my wedding day, I was filled with anxiety, mine and my mother’s.

I was wild and green in the ways of the world, though I thought a ceremony in Butler’s green garden would transform me into a more peaceful creature. I stood with my mother, waiting for my intended to arrive. I was there and not there: I firmly remember the carillons that sang and the placid old canal that drifted by, the buzzing droopy-headed zinnias and black-eyed Susans, the old-world rose bushes—all beautiful, contained, tranquil.

Carefree, not wild.

That day I’d turn into a wife, half of a unit, domestic, safe and saved.

On the outside I was transformed already, placid as the canal, sure of myself as the bees were sure of their buzzing industry. Yet I was wild inside, standing there next to my mama, a roiling mass of ancient fears.

Wild like a frightened doe, tired from running, running. Heart beating hard, danger clanging so constantly that mostly I was not even aware of it. Danger simply ran in my veins, and had for as long as I could remember.

Danger was wild in the rivers of my blood. Danger splashed in the waterfall of my heart.

I had no business getting married, but to be wild is, after all, dangerous. Plus, I was tired of being hunted. Somewhere inside I thought being caught would save me.

– – –

Deer were always an obsession for me. As a very small child, I drew deer after deer. I painted pictures of deer, read books about deer. I loved deer and wanted to be a ballerina so I could gracefully move like a deer. And disappear, like a deer.

But deer are wild things. Peaceful, except when under attack. Always wary, though. If a deer is cornered, and cannot run away, if a deer is outmatched and at the mercy of a terrible predator, she cannot hope to win by fighting. In cases like that, she will freeze.

I froze once, like a deer
I froze, like a river
I thawed and ran fast again,
like a deer
Like a rushing stream, like snowmelt
down a mountain
even when perhaps I should have paused to think
I was wild and green all my young self seemed to know
was freezing and rushing.

– – –

On my wedding day, I was young.
Younger even than my 23 years. Being frozen keeps you from growing up. So does running.

I was green. The lushness of the garden, the safe feeling I had next to my intended—gave me a sense that I was on a path. A path that might lead me out of my wildness. My scary, uncontainable wildness.

The path would rescue me from myself.
This was a sweet green notion, a kiwi of a belief, juicy and promising and bursting with seeds of hope.

What I did not know, in my greenness, was that you cannot shed your wildness like a snake sheds her skin. The wildness is inside, part of you.

I was right about the path, though.

It did lead me out, and then, decades later, landed me back in the thicket of myself, heart beating wildly, learning at last to savor the moments of life that stretch across the bones of time like supple muscles. Stretching, tightening, strengthening, and finally, letting go.

I’m still wild and green.

Older now, I have learned to listen to the wind, smell danger, believe the things my own heart tells me, and to love the wild frozen little girl-deer I carry inside. I learned that love does not rescue. Love merely holds your hand, then pushes you to grow. Self-love and every other kind of deep love pushes you to the edges of your self.

And when you grow, you risk.
One person’s sunshine is another person’s scorch.
One person’s neat-cornered bed is another person’s prison.

Sometimes you have to grow alone, in the wildness, where the deer appear and disappear to keep you company, silently.

(I wrote this from a prompt by Natalie Goldberg, “Write about when you were wild and green.”)

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