I smelled fear.

photo of chalked quote by James Baldwin on a panel.
James Baldwin quote rendered in chalked calligraphy by David Ostrowski, in Newport, Kentucky. Photo by author.

“Not everything that is faced can be changed but nothing can be changed until it is faced.”

—James Baldwin

I was struck this morning by the feelings that came up in a fastwrite about childhood. After reading it over, then turning to a review of recent news, I felt the endless echo of bullying and othering playing out in rallies and in life.

I often wonder where our deepest fear are born; they seem part of us, inescapable. The fears that make us hard-shelled and defensive. The fears that make us withdraw and give up, and/or also make us into playground bullies, ugly-spirited and hurtful, or into the bullies’ sidekicks. It is the sidekicks who truly make this bullying possible.

No bully acts alone.

The chants of recent rallies are primal, terrifying, and I feel them deep in my heart. They are not the healing chants of love and truth.

“Send her back.”

It’s a chant of othering, of ostracizing. It is racist, it is damaging. The enabling of this damage is as bad as the chant itself. Fear-driven, it can feel like your choice is either to join the bullies or be a victim, like a cruel playground game played out forever. Social ostracism is a painful tool of control. Enabling—being the sidekicks, looking the other way, feeling disempowered to speak out—is how it becomes systemic. Hungering to be accepted, we might compromise our values. Do we value love? Equality? Inclusiveness? Or are those things just fantasies to make us feel better as we choose to enable and/or behave in ways that are not loving at all.

We contain our selves at all our ages, but we are not controlled and powerless like little children, unless we permit it. Unless we haven’t faced the fears that drive us.

There is a third way. You can face your enabling behavior. You can rise above your fears, and the people I am most talking to here right now are people who are white, and looking away from blatant racist behavior, hoping to avoid having to choose.

Choose. Choose to be the grownup on the playground, and speak for fairness, for equality, for justice, for humanity. Speak against racism and xenophobia. Do not let the blanket of powerlessness put you to sleep. The world depends on you to be awake. It is not nap time.

The prompt I used was “I smelled fear.” and as always, I wrote from memory and imagination. Maybe you could try a fastwrite on this, too? Or on “Send her back.” Do it as a wake up call, looking at your fear instead of being driven to unforgivable enabling.

For what it’s worth, the fastwrite:

I smelled fear, and I think it was my own fear. It smelled like bazooka bubblegum mixed with Love’s Baby Soft lotion with a cloud of chalk dust mixed in, from the erasers that Angie—dull, backward, awkward Angie—was pounding together. If I didn’t move away from her soon, I’d be branded a social outcast, like she was. Why did she have to come over here, anyway.

I was in grade three, I was new, I said “soda” when everyone else said “pop”—I kept forgetting to say “pop”—and yet even I knew I needed to step away from the sidelines, where Angie liked to hide. I needed to try. Just enough to be marginally accepted.

We were on the playground outside the low-slung flat-roofed elementary school, by the big windowless brick wall where games of Dodgeball raged. Groups of kids were forming; the game was about to commence. At least in gym class I’d be chosen, maybe almost last, right before Angie and Karen and Bob—almost last but not dead last. But on the playground, you could be not chosen. Angie chose erasers, Karen sat reading a book next to Mrs. Schultz, the playground monitor who never looked up from her romance novels, their covers hidden behind ugly floral quilted covers, but once I’d seen a nearly naked lady, swooning backward onto a nearly naked pirate, when the cover slipped. Mrs. Schultz had a whistle around her neck but she was afraid of the boys, and never blew the whistle on them.

Waiting to be chosen, and dreading it, too, I tried to look busy, to look cool. I studied the ants crawling in the cracks of the asphalt by the jungle jim, then worried I’d be branded as the ground-staring-girl. I looked up at the cloudy October sky and worried that I’d never find a friend.

 

May 16, 2196

photo of footprints in dried mud

(Following is an excerpt from my novel, The Last Butterfly, that I’m workshopping this week at Colgate University in New York…feeling excited to reconnect with these characters…finally going to finish my edits/plot-hole fixes! It’s told in the voice of Luna, a 15 year old who lives in the deadzone of what was once central Indiana, in the year 2196.)

May 16, 2196

I thought he was a bad man, come to kill me in my sleep. Or rape me. I opened my mouth to scream, and a hard hand clamped my mouth shut. It was a man, a tall man looming over me in the darkness.

Then I saw it was Reece, whispering to be quiet. He’d climbed in my window, silently, like a cat.

I was dreaming. I thought I was dreaming.

Until he said my name, said to come with him, hurry.

“There’s not much time, Luna, hurry. Shh. Don’t wake Augusta.”

 “Where’s your Papa?” he hissed, then shook his head when I began to answer. “Never mind. See if your Mama is sleeping,” he whispered. “Don’t wake her.”

I peeked through the doorway in the adjoining room. Mama slept with Stella curled on one side and Thor on the other.

We crept silently past Mama, through the dome, and out into the yard. A thousand stars lit the clear night. I looked up at Reece. He looked stronger, taller, thinner. His hair was loose, and past his shoulders now.

I threw my arms around him, felt myself dissolving in tears of joy at seeing him again. He wrapped his arms around me, hugged me tight to his hard bony chest. He smelled of sweat and dirt and fire. “I don’t have much time,” he said. He took hold of my upper arms and pushed me gently away.

“Luna, I have to go, I can’t stay. I came to warn you. I was going to tell Daniel, or Chan—where is everyone?” I started to tell him everything, how Bart and Crimson and David left, about the bone, about Chan and Nikki and Lev and Antonia leaving the colony.

He cut me off. “Where’s your Papa?”

“How did you know he’s gone?”

“It doesn’t matter—I looked through the windows, all of them. Is my father the only man here?”

“He’s supposed to be on watch,” I said.

“Well, he’s watching with his eyes closed,” Reece said, he smiled a little, a flash of his old joking self.

“Don’t you want to see him? And Grammie? Why are we whispering?”

His dark eyes met mine. “There’s no time, I have to go or I’ll be missed. “ He looked old, suddenly, and hard. Dangerous. “I don’t want anyone tracking me here. Soldiers have no hearts, Luna, even in the Freedom League. They’d kill your chickens and take the goats, take all your food, and probably do – horrible things…” He took a deep breath, and then kissed the top of my head. “People do horrible things, Luna,” he whispered.

He thrust me away again. His voice was edged with panic. “Just listen, okay? No more talking. You have to tell everyone what I’m telling you, and you have to get it right.”

And then he told me how South Bend was in Junt’s control, how the Junt army had slaughtered everyone, and taken control of the IonoWave.

“But– Chan! Nikki! Lev—they’re going there! To work, to earn freehold –“

“There’s no time, Luna. I have to go! You need to leave here, right away. Leave and head south. Indianapolis is still safe, and fortified. There are Junt guerillas heading south. They’ll do more than kill your chickens, do you understand?” He shook my shoulders. “If they find you, they’ll kill you all. You can’t be here! Do you understand?”

I nodded.

“I have to go. I have to get back before I’m missed.”

“But…” I began, dazed. “Don’t, please, don’t go!”

“Take this.” He pulled a big, sheathed knife from his pocket. “Tie this onto you. If someone tries to take you, stab him in the eye, or in the balls. Then run, hear me? Run!”

“Reece, you’re scaring me. Stay with us! Come with us!”

He shook his head. His long dark hair shone in the starlight. “You don’t understand. I’ve pledged my service. We have to try to stop them, Luna. I have to go. Please. Wake everyone when I’ve gone. And then go! Go south.” His words spilled out in a rush. “Don’t let my father come after me. Tell him I love him. Tell Grammie…” his deep voice caught. He pulled me into his arms for just a moment. One of those long moments, where time stretches out. I felt his heart beating hard in his chest.

“I love you, Luna,” he whispered. I looked up at him, wordless. He kissed me hard, on the mouth. I tasted salt. I gripped onto his arm. He wrenched himself away, pulling free from my grasp. I dropped the knife.

He bent and picked it up. His face was wet with tears. “Don’t let this go,” he said, handing the knife to me again. “Wait five minutes. Then wake everyone, and go!”

“But Papa’s in Greenfield,” I said.

“If he’s not back when you’ve packed, go without him,” Reece said. “Just go.”

He left me then, alone under the black sweep of the sky, the amaranth dancing in the soft breeze, the goats and chickens stirring softly, the crickets chirping.

If I hadn’t had the knife to prove he’d come, no one would have believed it.

Write about a time you were rocked and felt held

Fastwrite prompt from a recent writing workshop:
Take a deep breath. Let it out slowly. Feel your shoulders relax.
Remember a time you were held, and rocked. Or a time you held someone, and rocked them. Any time you felt safe, held.
Begin there. Write for 7 minutes, focusing on the sensations, the moment.

Here’s what came up for me:


Sea-salt air hammock snugged around my sturdy body
little me in my chlorine-bleached Speedo
rope-web diamonding my solid thighs

Kennebunk sun, north sun
light as a cotton sweater on a cool morning
swaying, swaying, swaying, swaying away

Gulls overhead blue sky then pines then smoke bushes
green gaze rolling like a marble in the swing, swing
springs of the hammock singing along with my

Nonsense syllables wiggling toes and goosebumps
Queen Anne’s lacy head tickling my back
shivering me in the carrot-scented breeze

Summer waning, sliding swaying
far off a tractor growls in the Ricker’s potato fields…
at the fringe edge of the forest, a deer watches, dark eyed.



Write about a time there were flowers…

white flower

plump smell, like baby skin, blooming
so beautiful so smooth
(everyone says so)
and I think of daisies and lilies and youth,
smooth and slippery

the sweet smooth skin holding memories in,
pressed like petals between book covers
dried papery flat, crackly as a map of a lost world:
how to find our way back when

we are all falling apart,
cell by cell,
moment by moment
going, going, gone—
still springtime’s tap pours out, keeps pouring
children smooth-skinned happy laughing cranky cries rise
on the wind near the playground
little feet wiggle in strollers pushed by vacant fathers, mothers
eyes lost in thoughts, worries

little griefs trip us, cracks in the sidewalk
all we can feel sometimes is the hard fall, smooth
stripped away scraped bloody

while above the sidewalk, a canopy of tulip trees
unfurls hundreds—no thousands—of trembles
petals waving
tiny flags alive in the breeze

when falling apart,
look up

Prompt: Hold a flower. Examine the petals, smell it. Breathe in.
Now: close your eyes, and think of a time from memory or imagination, when there were flowers. Go: write for 11 minutes.

feeling trapped

A wall, Eastern State Penitentiary.
A wall, Eastern State Penitentiary.

I’m doing a forty-day series of writing prompts to jump-start a novel that I’d let go of working on.

I write each prompt in the voice of the character of my story. A lot of it won’t be in the story, but it is a lot of fun and I’m getting to know my character much better.

Here’s today’s: Imagine a time you felt trapped or were trapped, literally. What happened? (Prompt inspired by a visit to Eastern State Penitentiary​, in Philadelphia, a prison where solitary confinement was pioneered as a punishment.)

Failure

Magic Garden, Philadelphia
Magic Garden, Philadelphia

I’m no scientist, but still, I’m fascinated by the process of scientific exploration and discovery. I enjoy reading non-fiction written by scientists, like Michio Kaku, Hannah Holmes, Candace Pert; my favorite column in the New York Times Magazine is “Diagnosis,” where there’s a patient who presents with mysterious symptoms who is puzzled over and prodded by many well-meaning, smart doctors until one of them hits on the “Eureka!” moment (and yes, I like the TV show “House,” too). Reading and watching TV—that’s pretty much where I learned all I know about science. (And I’ll admit it, it’s sketchy at best.)

Still, it’s gotten to be kind of an obsession the last few years, this science-reading. I read things way over my head, about string theory and physics and opiate receptors. (I’ve learned to accept some obsessions, and this one seems harmless enough.)

I can’t explain quantum theory or recite the periodic table of elements, and after quizzing two kids in preparation for AP Bio, I’m sure I’d never pass if I had to take it myself. But I learned something important. I learned that scientists know and accept something that many writers want to banish from our lives: failure. With a capital F.

Every scientist understands that the way to a breakthrough is via failure. Failure is expected. Every wrong exploration produces not wasted time but valuable knowledge. Knowing what doesn’t work leads you closer to what does work.

Somehow, many of us writers are led to believe that every effort needs to be our very best work. What counts, I’ve decided, is giving our best EFFORT. Sinking in, enjoying the process, imagining the possibilities, letting an idea carry us as far as it will go, knowing that some of those ideas aren’t strong enough to go all the way. And that is okay.

A scientist doesn’t go in hoping or thinking they will fail. They go in excited about what they might discover. Sure, it’s frustrating. What worth doing isn’t sometimes frustrating? Showing up to write and trying it from many angles, showing up and learning what works and what doesn’t, plain old trial and error, is the way to the moment where something alchemical happens.

Where your dozens of tiny words fall away and suddenly, a story or a poem, a beautiful whole thing, appears in their place.