window seat warm up

picture of my window seat Warm up! Write eleven three-line poems about things you see right where you are, right now.

Eleven Miniature Poems, March 25, 2017

1 |Roots
The cutting in the windowsill vase
is shooting out roots
but it cannot grow there forever

2 | Fur
Cordelia is striped, like a tyger burning bright
descendant of some fierce African wildcat
trapped now in domesticity

3 | iPhone
Black glass gleams like your eyes did
if I touch the screen it will light up with worlds and words and wayz
I think of the mirages on hot highways in summer

4 | Coffee
Bittering now, sitting alone on the ledge
waiting to be held again in my hands
longing to be swallowed in my mouth

5 | Highlighter
Neon-yellow, it seeks and finds what
should be remembered, the important bits
is the rest really forgettable? Unimportant?

6 | Quilt
Grape jelly purple, my round babies once
sighed and slept beneath you
Sometimes I see you breathe

7 | Berry
Stray, lost, dried-up scarlet berry
remnant of Christmas past
(it’s almost April)

8 | Postcard
Dear Mama, it begins
I’m feeling excited, it continues
I see it tremble in the window breeze

9 | Clothespin
Tiny clothespin, tiny strung line
I have hung memories on you
they shine on me every day

10 | Sketch
She’s playing the sonata forever
her left foot pedals, her fingers fly
I can still hear the music

11 | Lintbrush
Lurking like an aunt before the funeral
descending to pick away any flaws
I feel judged

wild and green

photo of budding flowerwild and green

On my wedding day, I was filled with anxiety, mine and my mother’s.

I was wild and green in the ways of the world, though I thought a ceremony in Butler’s green garden would transform me into a more peaceful creature. I stood with my mother, waiting for my intended to arrive. I was there and not there: I firmly remember the carillons that sang and the placid old canal that drifted by, the buzzing droopy-headed zinnias and black-eyed Susans, the old-world rose bushes—all beautiful, contained, tranquil.

Carefree, not wild.

That day I’d turn into a wife, half of a unit, domestic, safe and saved.

On the outside I was transformed already, placid as the canal, sure of myself as the bees were sure of their buzzing industry. Yet I was wild inside, standing there next to my mama, a roiling mass of ancient fears.

Wild like a frightened doe, tired from running, running. Heart beating hard, danger clanging so constantly that mostly I was not even aware of it. Danger simply ran in my veins, and had for as long as I could remember.

Danger was wild in the rivers of my blood. Danger splashed in the waterfall of my heart.

I had no business getting married, but to be wild is, after all, dangerous. Plus, I was tired of being hunted. Somewhere inside I thought being caught would save me.

– – –

Deer were always an obsession for me. As a very small child, I drew deer after deer. I painted pictures of deer, read books about deer. I loved deer and wanted to be a ballerina so I could gracefully move like a deer. And disappear, like a deer.

But deer are wild things. Peaceful, except when under attack. Always wary, though. If a deer is cornered, and cannot run away, if a deer is outmatched and at the mercy of a terrible predator, she cannot hope to win by fighting. In cases like that, she will freeze.

I froze once, like a deer
I froze, like a river
I thawed and ran fast again,
like a deer
Like a rushing stream, like snowmelt
down a mountain
even when perhaps I should have paused to think
I was wild and green all my young self seemed to know
was freezing and rushing.

– – –

On my wedding day, I was young.
Younger even than my 23 years. Being frozen keeps you from growing up. So does running.

I was green. The lushness of the garden, the safe feeling I had next to my intended—gave me a sense that I was on a path. A path that might lead me out of my wildness. My scary, uncontainable wildness.

The path would rescue me from myself.
This was a sweet green notion, a kiwi of a belief, juicy and promising and bursting with seeds of hope.

What I did not know, in my greenness, was that you cannot shed your wildness like a snake sheds her skin. The wildness is inside, part of you.

I was right about the path, though.

It did lead me out, and then, decades later, landed me back in the thicket of myself, heart beating wildly, learning at last to savor the moments of life that stretch across the bones of time like supple muscles. Stretching, tightening, strengthening, and finally, letting go.

I’m still wild and green.

Older now, I have learned to listen to the wind, smell danger, believe the things my own heart tells me, and to love the wild frozen little girl-deer I carry inside. I learned that love does not rescue. Love merely holds your hand, then pushes you to grow. Self-love and every other kind of deep love pushes you to the edges of your self.

And when you grow, you risk.
One person’s sunshine is another person’s scorch.
One person’s neat-cornered bed is another person’s prison.

Sometimes you have to grow alone, in the wildness, where the deer appear and disappear to keep you company, silently.

(I wrote this from a prompt by Natalie Goldberg, “Write about when you were wild and green.”)

when it snows in my heart

Marchsky

The sky today is milk-colored, snow is flurrying down and the naked trees shiver in the wind.
It′s a day when anything might happen, in a world where everything is shifting under my feet.
Things I thought solid suddenly slippery as black ice—

It′s a day to breathe in the chill air and watch your exhale make a tiny cloud. A day to remember what a mystery that was when you were a little girl bundled in your red parka, itchy wool mittens attached by clips.

It′s a day to remember America was not great back when you were a white child in the white suburbs outside Toledo, in a brand-new tract home in a place called Sylvania. No. It wasn′t great. “Great” was merely the undercurrent of every advertising slogan, “Great” was a story spun by ad men and sales men and con men. (They are still selling you fear and telling you it is happiness).

Men who sold your mother on the notion that the ache in her heart  could be eased by a Midol or a Virginia Slim′s cigarette or a new Chevrolet or an A-Line dress. Men who told her that her uneasiness was her own fault, and that comfort would keep her safe. Men who peddled fear and separation and complacency. The TV glowed and mama stopped looking at the trees.

(Her eyes were sad but the jingles told her she was happy.)
You were a little girl, and you felt that ache. Feel it still, when big flat televisions trumpet
news news news.

And so you′ve learned to look outside.

It′s a day to look at the milky sky and the black arms of the trees shivering and remember the world is not black and white, not wrong and right. A day to remember that anyone who tells you the ache in your heart is nothing is a liar, or someone who wants to steal your life from you. Anyone who tells you to stop feeling what you are feeling may as well tell the trees to stop trembling in the March wind. Might as well tell these tardy snowflakes to stop falling.

The ache is there to help you. Listen to it.

Denial of what is will pull you under, into despair.
Acceptance may break your heart, but a broken heart is an open one.

Let the snow fall into your heart.
Feel what you feel. Cold, alive.
After all, anything might happen, if your heart and eyes are open.