I smelled fear.

photo of chalked quote by James Baldwin on a panel.
James Baldwin quote rendered in chalked calligraphy by David Ostrowski, in Newport, Kentucky. Photo by author.

“Not everything that is faced can be changed but nothing can be changed until it is faced.”

—James Baldwin

I was struck this morning by the feelings that came up in a fastwrite about childhood. After reading it over, then turning to a review of recent news, I felt the endless echo of bullying and othering playing out in rallies and in life.

I often wonder where our deepest fear are born; they seem part of us, inescapable. The fears that make us hard-shelled and defensive. The fears that make us withdraw and give up, and/or also make us into playground bullies, ugly-spirited and hurtful, or into the bullies’ sidekicks. It is the sidekicks who truly make this bullying possible.

No bully acts alone.

The chants of recent rallies are primal, terrifying, and I feel them deep in my heart. They are not the healing chants of love and truth.

“Send her back.”

It’s a chant of othering, of ostracizing. It is racist, it is damaging. The enabling of this damage is as bad as the chant itself. Fear-driven, it can feel like your choice is either to join the bullies or be a victim, like a cruel playground game played out forever. Social ostracism is a painful tool of control. Enabling—being the sidekicks, looking the other way, feeling disempowered to speak out—is how it becomes systemic. Hungering to be accepted, we might compromise our values. Do we value love? Equality? Inclusiveness? Or are those things just fantasies to make us feel better as we choose to enable and/or behave in ways that are not loving at all.

We contain our selves at all our ages, but we are not controlled and powerless like little children, unless we permit it. Unless we haven’t faced the fears that drive us.

There is a third way. You can face your enabling behavior. You can rise above your fears, and the people I am most talking to here right now are people who are white, and looking away from blatant racist behavior, hoping to avoid having to choose.

Choose. Choose to be the grownup on the playground, and speak for fairness, for equality, for justice, for humanity. Speak against racism and xenophobia. Do not let the blanket of powerlessness put you to sleep. The world depends on you to be awake. It is not nap time.

The prompt I used was “I smelled fear.” and as always, I wrote from memory and imagination. Maybe you could try a fastwrite on this, too? Or on “Send her back.” Do it as a wake up call, looking at your fear instead of being driven to unforgivable enabling.

For what it’s worth, the fastwrite:

I smelled fear, and I think it was my own fear. It smelled like bazooka bubblegum mixed with Love’s Baby Soft lotion with a cloud of chalk dust mixed in, from the erasers that Angie—dull, backward, awkward Angie—was pounding together. If I didn’t move away from her soon, I’d be branded a social outcast, like she was. Why did she have to come over here, anyway.

I was in grade three, I was new, I said “soda” when everyone else said “pop”—I kept forgetting to say “pop”—and yet even I knew I needed to step away from the sidelines, where Angie liked to hide. I needed to try. Just enough to be marginally accepted.

We were on the playground outside the low-slung flat-roofed elementary school, by the big windowless brick wall where games of Dodgeball raged. Groups of kids were forming; the game was about to commence. At least in gym class I’d be chosen, maybe almost last, right before Angie and Karen and Bob—almost last but not dead last. But on the playground, you could be not chosen. Angie chose erasers, Karen sat reading a book next to Mrs. Schultz, the playground monitor who never looked up from her romance novels, their covers hidden behind ugly floral quilted covers, but once I’d seen a nearly naked lady, swooning backward onto a nearly naked pirate, when the cover slipped. Mrs. Schultz had a whistle around her neck but she was afraid of the boys, and never blew the whistle on them.

Waiting to be chosen, and dreading it, too, I tried to look busy, to look cool. I studied the ants crawling in the cracks of the asphalt by the jungle jim, then worried I’d be branded as the ground-staring-girl. I looked up at the cloudy October sky and worried that I’d never find a friend.

 

November Ginkgo

gingko tree
Gingko tree, Northern Kentucky, Novermber 26

Walking this weekend brought to mind a poem I remembered about Ginkgos. Their “yellow fluttering fans of light” never fail to inspire me. I attempt and fail to capture them in yellow/fossil/sucked-in-breath poems. They are the last of their division of tree (Ginkgophyta), all others being long extinct.

Ginkgo leaves are found in fossils dating back 270 million years, and though they are messy and somewhat smelly trees—they are my favorites at this time of year.I look up and get lost. Or look down and get lost, depending on which day I come upon them.

Here’s a stanza of the poem I had to come home and google around to find. It’s from “The Consent” by Howard Nemerov.

Late in November, on a single night
Not even near to freezing, the ginkgo trees
That stand along the walk drop all their leaves
In one consent, and neither to rain nor to wind
But as though to time alone: the golden and green
Leaves litter the lawn today, that yesterday
Had spread aloft their fluttering fans of light.

golden ginkgo leaves on the ground
Fallen ginkgo leaves.

The beautiful rowdy prisoners

The small man
Builds cages for everyone
He knows.
While the sage,
Who has to duck his head
When the moon is low,
Keeps dropping keys all night long
For the
Beautiful
Rowdy
Prisoners.
—Hafiz

Eastern State Penitentiary photo
A cell at Eastern State Penitentiary

The beautiful, rowdy prisoners.

It is their ghosts I think of as I walk past cell after cell. (I know. It’s easy, in such a ruin, to imagine ghosts.)

Silent screams echo through the ruins of Eastern State Penitentiary in the trendy Fairmount neighborhood of urban Philadelphia. This prison, now an historical museum site, has not housed inmates since its closing in 1971.

Maybe it was the humidity, pressing down on me the hot summer afternoon I visited. But I felt what I felt. I felt heavy layers of despair. I heard voices, and not just the recorded ones in the audio headset. I also heard the voices of prisoners past and prisoners present, calling me to attention.

This place was, back in the early 19th century, thought of as a ground-breaking, humanitarian response to reforming criminals. The Quaker-inspired system was based on the belief that solitude and work would allow convicts to focus on their wrong-doing, and become truly “penitent.” Prisoners, many in for crimes like horse theft, saw no one, spoke with no one, touched no one, and smiled at no one, day after day. When necessity forced prisoners to leave their cells, they were hooded so that they had no visual interaction with other humans.

Eastern State is where solitary confinement was pioneered, and perfected, the audio recording hissed in my ears, as I peered in cell after lonely cell. The Pennsylvania System, as it was dubbed, was hailed as a model.

It didn’t work. It did not reform.

But “solitary” remains a punishment used at many modern prisons in the US and is even used on prisoners under the age of 18. US state and federal prisons are currently holding as many as 100,000 inmates in solitary confinement or isolated housing, according to ACLU reports.

Human Rights Watch notes that as of 2006, the rate of reported mental health disorders in the state prison population is five times greater than in the general adult population.

What 17-year-old deserves solitary confinement? What mentally ill person deserves it? Which criminals deserve this, exactly? And who is empowered to decide and implement this torture that takes place far from the eyes of mainstream society?

As Charles Dickens said, after visiting Eastern State in 1842:

“….I hold this slow and daily tampering with the mysteries of the brain to be immeasurably worse than any torture of the body; and because its ghastly signs and tokens are not so palpable to the eye… and it extorts few cries that human ears can hear; therefore I the more denounce it, as a secret punishment in which slumbering humanity is not roused up to stay.”

I wonder at how I have slumbered. In the courtyard of Eastern State sits a sobering, three dimensional bar graph, charting the rate of incarceration in US prisons versus the rest of the world. The US has achieved world domination here. With less than 5 percent of the world’s population, the United States has almost a quarter of the world’s prisoners.

Processing all this, I walk the corridors of Eastern State. A fog of cognitive dissonance begins to cloud my mind. The light here is soft, and beautiful as the light through any rose-windowed cathedral. The arched corridors are beautifully proportioned. In its heyday, Eastern State was hailed as a model of justice and technological advancement. On the surface, it appeared to be such a good idea. An unquestionable system, implemented by a government that knew what it was doing.

This is a reminder, one of the little voices whispers to me.

A reminder to wonder, to question. A reminder to look beyond, to see what is really happening.

I’m not entirely sure what all this means. But I know it’s not good. I keep reading. The United States prison population has increased by 500% in just thirty years. I learn that that minorities and impoverished people—the most voiceless, the least powerful— are far more likely to end up doing time. Hard time.

Meanwhile, according to the New York Times, prisoners are being put to work filling government contracts. Think “slave labor.” Federal Prison Industries, also known as Unicor, uses prisoners for labor, and pays as little as 23 cents an hour. And, according to the Ella Baker Center for Human Rights, thirty-seven states have legalized the contracting of prison labor by private corporations who bring their operations inside prison walls.

Suddenly, as I write this, I hear other voices too, jeering ones, asking me if I’m forgetting the victims, in all this wondering? No, I’m not forgetting.

But there can be many kinds of victims, after all. And many kinds of crimes, not all of them carried out by individuals.

The ghosts in my head remind me to keep wondering, to keep questioning why we as a nation keep building so very many cages.

Eastern State Penitentiary

Links to more information on this topic:

http://www.easternstate.org/

http://ellabakercenter.org/

http://www.amazon.com/Race-Incarcerate-A-Graphic-Retelling/dp/1595585419#reader_1595585419

http://www.wsj.com/articles/large-number-of-inmates-in-solitary-poses-problem-for-justice-system-study-says-1441209772

http://www.nytimes.com/2008/04/23/us/23prison.html?pagewanted=all

http://www.nytimes.com/2012/03/15/business/private-businesses-fight-federal-prisons-for-contracts.html

https://www.hrw.org/news/2006/09/05/us-number-mentally-ill-prisons-quadrupled

Kindness and Anne Frank

arrowshadowWoke thinking about kindness, about giving, about change.

How hurt people hurt people, themselves or others. Are some people hurt because few people have ever been kind to them? Maybe I’m being unbelievably naive, thinking like a fourteen-year-old girl doomed to be murdered by power-crazed regime, by people who killed humans en masse, like it was a job, and for many, it WAS their job.

But really—if more people saw the world like Anne did, if more people took time for kindness, instead of retreating to mockery, bullying and worse—maybe a revolution would begin?

“How lovely to think that no one need wait a moment, we can start now, start slowly changing the world! How lovely that everyone, great and small, can make their contribution toward introducing justice straightaway… And you can always, always give something, even if it is only kindness!”
― Anne Frank

Hello, darkness

quote from rebecca solnetFrom Rebecca Solnit’s essay called “Woolfe’s Darkness, Embracing the Inexplicable” found in her book, Men Explain Things to Me.shadow photo

 

 

“Feeling emotional upheaval is not a spiritual faux pas; it’s the place where the warrior learns compassion.”
–Pema Chödrön, From The Places That Scare You

“When it is dark enough, you can see the stars.”
― Ralph Waldo Emerson

 

Heard a story on NPR today about exposure therapy—a guy who had paralyzing anxiety of rejection set out to GET rejected, over and over, until it no longer frightened him— and it worked for him. It made so much sense. He faced his fears until they stopped scaring him silly.

I guess that is what I am doing, though I hadn’t thought of it quite that way. Exposure therapy. I have been delving into dark places lately (no, no—not all the time, that would be crazy!) and the more I look at things inside that are scary and just ‘be’ with them, the more I appreciate their beautiful powerful forces and the less scared I feel. Rejecting part of yourself takes a lot of energy. It makes you worn down. I wonder if the denial of dark things inside is what creates some cases of chronic anxiety? My overall anxiety level certainly is ebbing as I dig. (But also: spiking like mad as I hit uncharted tunnels.)

Digging it all up is a messy process. I’m not all that great at it, a lot of times. I get stuck sometimes. A lot of times. I thrash and make it needlessly worse. I grasp. But I’m hoping I’ll get better at being with it when it comes, unexpectedly. Because it’s the fear you have to fear. Like the guy who was afraid of rejection. He wrapped his brain in a new direction. Away from fear, into acceptance of something that scared him. So hopeful, stories like his.

Like anything else, it takes practice. All any of us can do is keep trudging!
Per aspera ad astra. (A rough road leads to the stars).

Ghost Ranch, part 1

ghostranch-cliffs

 

 

 
“It is all very beautiful and magical here–a quality which cannot be described. You have to live it and breathe it, let the sun bake it into you. The skies and land are so enormous, and the detail so precise and exquisite that wherever you are you are isolated in a glowing world between the macro and micro, where everything is sidewise under you and over you, and the clocks stopped long ago.”
Ansel Adams, describing Ghost Ranch, in a letter to Alfred Steiglitz ,1937