Posts Tagged #writing prompt
someday I’ll love Elaine Olund
(after Ocean Vuong/after Frank O’Hara/after Roger Reeves)
Someday I’ll smile every time
I bump into myself.
Even when that self is a mess,
an ooze, tears and unwashed hair
and regrets that smell like
Marlboro Lights and malt liquor
And I’ll smile even when that self has
a pulsing nose zit and writes terrible poems
— I mean, why not? —
might as well plan for the worst-case.
That someday is
seemingly so near and
sometimes so far
like a wet glimmer always ahead on the highway
an illusion of cool
place I can dive into
dripping wet and laughing
it’s like that
I find myself and lose myself and find myself
again and again
in the stomach-churn backseat of the hot station wagon
sweaty and skinned-knees
appear and disappear as Pennsylvania miles
turn to New York miles
turn to Massachusetts miles
hot sun turns to clouds and clouds
turn to rain
And someday, Elaine, I’ll love the sound of your name
the way I love the sound of the rain
Someday I’ll love even your inconvenient needs
the ones that turn green and churn when interstate
turns to twisty backroads, dark night
you have to pee
not yet Mama says
in a little while
Someday I’ll love you — you used to be called something else,
remember? Lainey the baby who couldn’t wait
Lainey peeing on the side of the road,
hot urine a glowing stream
the one who can’t wait
the one needing
Someday Lainey will reappear
dressed for Halloween in the body of a middle-aged woman
(someday she’ll have to grow up, won’t she?)
— even though oh, she needs
still, even now, she needs and needs — damn it
at the very next exit or 268 miles ahead —
some sweet day that will maybe smell just like the bread my mother
took to baking when she was widowed, just for herself,
just because she wanted to
I will rise up, a miracle, like the punched-down dough
swelling up in a bowl in an avocado-green long-lost kitchen
I will be full, I will be home
I will look at myself and melt
melt like butter on
chewy warm grainy bread, fresh from the oven
I will love every last crumb of myself.
Notes: I’ve been thinking about self-love a lot, how hard it is. How essential and impossible in moments (which is why we need our friends).
I really am drawn to Ocean Vuong’s amazing work.
My piece (not really a poem yet, maybe someday?) is from a fast-write from a prompt based on Ocean Vuong’s “Someday I’ll Love Ocean Vuong” — a poem he notes is “after Frank O’Hara and after Roger Reeves”… which made me curious and google revealed Roger Reeves’ intro to his poem:
We can’t stay in poetry world forever. It’s a poem that I kind of wrote to myself. It’s a love poem, again. I read this poem for my MFA compatriots struggling in the muck of all types of criticism and self-doubt. It doesn’t stop. It will keep going. No, actually I was struggling in my MFA a lot. I don’t know if you guys are the type of poets that are trying to write poems that last beyond your life, which is what I’m always trying to do. I’m always trying to make something that can outlast me, because why else would we make something? Frank O’Hara is a guy I always turn to. He had this one line in his poem — I can’t find the poem again because you know Frank O’Hara has a lot of poems — and it’s a poem where he says “someday I’ll love Frank O’Hara.” I thought, that is the best thing to say in the middle of a poem — someday you’ll love yourself. So I said, I’m going to title a poem “Someday I’ll love Roger Reeves.”
Try it yourself — read Vuong’s poem and then take a deep slow breath and write for 10 minutes beginning with “Someday I’ll love (your name here)” …see what happens.
Sunday Morning: a sketch
pillows play on the daybed
housecat swishes her tail
radio paints music chocolate-dark delicious as my espresso
the Swedish horse with the broken leg assesses my mental state
the coffee cup outlines the circle of its base onto the table
my sandals inscribe lines on my feet, a loose sundress erases my figure
my journal sketches my thoughts, lines, lines, line
I fade from the scene
I am just inscribed lines
the gel pen observes the work like a skinny foreman,
rigid, impatient at the pace
dear old patient threadbare linen napkin blots up the drips of minty water
life is messy, observes the old Swedish horse
my gel pen climbs down into
the deep hole with me
helps me dig
while Yo-Yo’s cello deckles the morning sunshine
Notes: this is from a Natalie Goldberg prompt in her wonderful book, Writing Down the Bones;
1. write 10 nouns as a list. (I wrote ten things I could see/hear in the room)
2. write ten active verbs (she suggests thinking of verb relating to an occupation; I used “artist” as the verb-source)—sketches, inscribes, erases, observes, blots, outlines, paints, plays, swishes, deckles…
3. combine the nouns with the verbs and see what emerges
Have fun, see what happens. Why not?
Warm up! Write eleven three-line poems about things you see right where you are, right now.
Eleven Miniature Poems, March 25, 2017
The cutting in the windowsill vase
is shooting out roots
but it cannot grow there forever
2 | Fur
Cordelia is striped, like a tyger burning bright
descendant of some fierce African wildcat
trapped now in domesticity
3 | iPhone
Black glass gleams like your eyes did
if I touch the screen it will light up with worlds and words and wayz
I think of the mirages on hot highways in summer
4 | Coffee
Bittering now, sitting alone on the ledge
waiting to be held again in my hands
longing to be swallowed in my mouth
5 | Highlighter
Neon-yellow, it seeks and finds what
should be remembered, the important bits
is the rest really forgettable? Unimportant?
6 | Quilt
Grape jelly purple, my round babies once
sighed and slept beneath you
Sometimes I see you breathe
7 | Berry
Stray, lost, dried-up scarlet berry
remnant of Christmas past
(it’s almost April)
8 | Postcard
Dear Mama, it begins
I’m feeling excited, it continues
I see it tremble in the window breeze
9 | Clothespin
Tiny clothespin, tiny strung line
I have hung memories on you
they shine on me every day
10 | Sketch
She’s playing the sonata forever
her left foot pedals, her fingers fly
I can still hear the music
11 | Lintbrush
Lurking like an aunt before the funeral
descending to pick away any flaws
I feel judged
wild and green
On my wedding day, I was filled with anxiety, mine and my mother’s.
I was wild and green in the ways of the world, though I thought a ceremony in Butler’s green garden would transform me into a more peaceful creature. I stood with my mother, waiting for my intended to arrive. I was there and not there: I firmly remember the carillons that sang and the placid old canal that drifted by, the buzzing droopy-headed zinnias and black-eyed Susans, the old-world rose bushes—all beautiful, contained, tranquil.
Carefree, not wild.
That day I’d turn into a wife, half of a unit, domestic, safe and saved.
On the outside I was transformed already, placid as the canal, sure of myself as the bees were sure of their buzzing industry. Yet I was wild inside, standing there next to my mama, a roiling mass of ancient fears.
Wild like a frightened doe, tired from running, running. Heart beating hard, danger clanging so constantly that mostly I was not even aware of it. Danger simply ran in my veins, and had for as long as I could remember.
Danger was wild in the rivers of my blood. Danger splashed in the waterfall of my heart.
I had no business getting married, but to be wild is, after all, dangerous. Plus, I was tired of being hunted. Somewhere inside I thought being caught would save me.
– – –
Deer were always an obsession for me. As a very small child, I drew deer after deer. I painted pictures of deer, read books about deer. I loved deer and wanted to be a ballerina so I could gracefully move like a deer. And disappear, like a deer.
But deer are wild things. Peaceful, except when under attack. Always wary, though. If a deer is cornered, and cannot run away, if a deer is outmatched and at the mercy of a terrible predator, she cannot hope to win by fighting. In cases like that, she will freeze.
I froze once, like a deer
I froze, like a river
I thawed and ran fast again,
like a deer
Like a rushing stream, like snowmelt
down a mountain
even when perhaps I should have paused to think
I was wild and green all my young self seemed to know
was freezing and rushing.
– – –
On my wedding day, I was young.
Younger even than my 23 years. Being frozen keeps you from growing up. So does running.
I was green. The lushness of the garden, the safe feeling I had next to my intended—gave me a sense that I was on a path. A path that might lead me out of my wildness. My scary, uncontainable wildness.
The path would rescue me from myself.
This was a sweet green notion, a kiwi of a belief, juicy and promising and bursting with seeds of hope.
What I did not know, in my greenness, was that you cannot shed your wildness like a snake sheds her skin. The wildness is inside, part of you.
I was right about the path, though.
It did lead me out, and then, decades later, landed me back in the thicket of myself, heart beating wildly, learning at last to savor the moments of life that stretch across the bones of time like supple muscles. Stretching, tightening, strengthening, and finally, letting go.
I’m still wild and green.
Older now, I have learned to listen to the wind, smell danger, believe the things my own heart tells me, and to love the wild frozen little girl-deer I carry inside. I learned that love does not rescue. Love merely holds your hand, then pushes you to grow. Self-love and every other kind of deep love pushes you to the edges of your self.
And when you grow, you risk.
One person’s sunshine is another person’s scorch.
One person’s neat-cornered bed is another person’s prison.
Sometimes you have to grow alone, in the wildness, where the deer appear and disappear to keep you company, silently.
(I wrote this from a prompt by Natalie Goldberg, “Write about when you were wild and green.”)